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Sunday, October 22nd, 2017 02:20 pm


“The cat is such a perfect symbol of beauty and superiority that it seems scarcely possible for any true aesthete and civilised cynic to do other than worship it.”
- H. P. Lovecraft

This is an adaptation of Lovecraft's story from Jason Thompson.

Warning for animal cruelty.

Images under the cut... )
Sunday, October 22nd, 2017 11:36 am
Justice League Action has been producing some terrific episodes, taking a sort of "Brave and the Bold" take on the wider DC Universe.

They've also released a series of shorts, and I think I rather like this one which showcases some problems encountered when Firestorm faces Metallo and tries to transmute his Kryptonite heart.

Wackiness ensues )

and for my next trick

Miraculous Ladybug Season 2 )
Sunday, October 22nd, 2017 12:34 am
Here's a page from a flashback to when Tony Stark met Mary Jane Watson. I am not quite sure when it takes place, but it happens when Mary Jane was a model and when Tony was hitting the sauce. So it is before IRON MAN #128?

One page )
Sunday, October 22nd, 2017 02:50 am


This isn't Fables. But my bet is it's for the same people who like Fables. -- Bill Willingham

Read more... )
Saturday, October 21st, 2017 12:39 am
He felt ill.

He went home.

He felt worse.

He attacked his wife.

He tied her up first. )
Friday, October 20th, 2017 11:24 pm



"I reserve the right to change my mind [laughs], but Barry and I have talked about it many times and one thing we like in the world we’ve built is that there is no Justice League waiting in the wings, no Fantastic Four, no Avengers to set the world right. It is not a story of what happens when the villain wins until the heroes wake up, it’s about there not being any more superheroes."

- Mark Waid


Read more... )
Friday, October 20th, 2017 03:43 pm



Read more... )
Friday, October 20th, 2017 11:00 am
Professor Marston and the Wonder Women (2017), dir. Angela Robinson
I loved this film so much and I'd bet that almost everyone reading this will love it too. Based on the real-life story of the creator of Wonder Woman and his wife and their partner, the movie has been winning deserved praise for its respectful portrayal of a poly love story, as well as its exploration of exploring kink and BDSM in a relationship. The story of Bill Marston, Elizabeth Marston and Olive Byrne is fascinating, and Robinson leaps off the agreed-upon documentary record to make it a full-on romantic trio, with Elizabeth and Olive's sexual relationship being just as important and real as either woman's relationship with Marston. Despite all that, however, the film is mostly inexplicit; Robinson is far more focused on the depiction of relationships through the way people look at each other than through body parts. It is, in other words, extremely female gaze, and very sexy. I would happily have watched another hour of the movie, particularly as the latter half gets into the challenges of queer parenting in a homophobic society in a way I wasn't expecting, but the movie's conventional structure means that there's only so much time. Still, it was wonderful, and all the actors were great. Go see it.

The Princess & the Frog (2009)
Disney's last traditionally animated feature film, its first featuring a black princess, and probably the only Disney princess movie I hadn't seen. I liked the story of Tiana and her feckless prince, and from my admittedly inexpert position it seemed like the non-white characters were largely depicted in a positive manner. The story is sweet, but it owes so much to Shrek, it's kind of painful, and the thing that really struck me is that even as Disney put a lot of effort into moving beyond racist stereotypes in its depiction of the non-white characters, they were unwilling or incapable of to get beyond lazy stereotypes and fatphobic tropes in their depictions of villains and fat people. (I was also interested to see that the dupe villain gets a British accent, since the movie being set in New Orleans means that Disney was unable to rely on its main vocal stereotyping strategy of having the villains speak in Southern accents.) All of which is to say, there's ultimately no comparison between this movie and some of Disney's more recent successes.
Friday, October 20th, 2017 01:22 pm




A repost of one of my Hallowe'en 2014 selections! H.P. Lovecraft's classic 1924 tale of horrific family secrets gets the Richard Corben (writing as, appropriately, "Gore") treatment in the underground comic Skull #5 (Last Gasp, 1972). NSFW warning for gore.

'Is it Edward Norrys' fat face on that fungus thing?' )